Proof is piling up that Britney Spears is a victim of mind control at the hands of unscrupulous handlers. While mass media points their finger at specific “controlling” individuals, it is increasingly obvious that she is the product of a system that totally suppressed her free will and personal freedom. What makes Britney’s case different from others is that the apparent feud between her past and present handlers is causing some otherwise “censored” information to leak out about how pop stars are completely owned and handled by people behind the scenes. If people are lead to believe that Spear’s case is special, well, it is more common than most would believe.
The upcoming Sam Lutfi trial (Spear’s former manager and handler) might bring up more revelations about Britney’s near-slave status. The singer’s former nanny is set to testify about Lutfi’s manipulative tactics and, according to a source: “she just wants the truth to come out and it will be shocking”. Britney herself won’t be at the trial because, according to the judge, it would cause her ‘irreparable harm and immediate danger.’ Re-read this sentence closely and ask yourself : “Why?” Is it because MK slaves who learn about their true condition are often programmed to “self-destruct”?
As the article below states, all of her internet activities are closely controlled and monitored so, chances are, she’ll never end up on Vigilant Citizen. Hope she’ll find a way to free herself one day.
Britney Spears’ former nanny ‘to testify in Sam Lutfi trial that star has been emotionally manipulated’ by her handlersBritney Spears finally has her personal and professional back on track, bagging a high-profile position as a judge on The X-Factor and marriage proposal from agent Jason Trawick.
But trouble is looming for the the vulnerable pop star as her public meltdown is set to be dredged up in a Los Angeles courtroom again this week.
Former manager Sam Lutfi is suing the singer and her parents for breach of contract, defamation and libel and RadarOnline has reported that Lourdes Torres, a former nanny for Britney’s children, will testify that the singer has been emotionally manipulated throughout her court-mandated conservatorship.
Torres, who cared for Britney’s two sons in the months after the conservatorship was instated in 2008, will testify to witnessing emotional manipulation.
She also claims that she quit her job because she was ‘so disturbed’ by what she saw happening to the singer, a source said, adding: ‘[Torres] isn’t after money, she just wants the truth to come out and it will be shocking.’
The trial is expected to last close to three weeks, with Lutfi, Britney’s fiance, Jason Trawick and her parents scheduled to testify.
Lutfi also filed papers at Los Angeles County Superior Court in September asking a judge to make the former Disney star available as a witness.
But Britney will not be taking the stand as, according to Fox News, the judge has ruled it could potentially cause her ‘irreparable harm and immediate danger.’
Spears’ legal team have successfully prevented the singer from having any contact with Lutfi for the past three years by having a restraining order granted against him.
Spears’ father applied for the order in 2009 claiming: ‘Mr Lutfi has drugged Britney. He has cut Britney’s home phone line and removed her cell phone chargers. He yells at her. He claims to control everything – Britney’s business manager, her attorneys and the security guards at the gate.’
And since the restraining orders have expired, Britney’s team have restricted her cellphone and Internet usage to ensure that Lutfi is not able to contact her.
A source told RadarOnline.com: ‘Britney’s cell phone and internet use is restricted and heavily monitored, and this is done for her protection.
‘Britney’s father Jamie and her fiance Jason want to make sure that her former manager, Sam Lutfi, isn’t able to contact her’.
‘Britney and Jason essentially share a cell phone, and it’s routinely checked to see who has been calling.’
The 30-year-old, who was committed to a psychiatric ward in 2008, is also not allowed access any gossip websites to prevent her from seeing any negative stories about herself.
But despite the fact that a judge has ruled that Britney isn’t mentally competent enough to testify, a source told RadarOnline that Lutfi’s lawyers are still pushing the issue.
While it is unlikely the singer will ever testify, if she did the source says: It would be explosive for so many reasons.’
Jury selection began last Friday and will continue on Tuesday, with opening statements expected later in the week.
Source: Mail Online
From Mind Control to Superstardom: The Meaning of Lady Gaga’s “Marry the Night”
The music video “Marry the Night” tells the story of Lady Gaga’s rise to fame in the entertainment industry. Oddly enough, her “journey” begins with her describing the symptoms of a trauma-based mind control victim. Is there a deeper meaning to this video? We’ll look at the symbolism of “Marry the Night” and its underlying occult meaning.
Lady Gaga generated a great buzz among her fans when she announced that the video to Marry the Night would reveal a part of her past. Did her fans expect the video to begin with a traumatized Gaga inside a psychiatric ward with a bunch of lobotomized girls? Probably not. But from that strange starting point, the video proceeds to depict Gaga’s rise to super-stardom. How does all of that tie in together? To most, this doesn’t really make any sense. However, to those who understand the relation between trauma-based mind control and the entertainment industry, it makes perfect sense. While many of her previous videos referred to mind control in subtle and symbolic ways (see previous articles on Vigilant Citizen), Marry the Night takes it a step further, pretty much spelling it out. At the very start of the video, Gaga’s monologue defines in unequivocal terms the plight of a mind control victim. Despite her hardships, she says, she is determined to make it in the music business and is ready to do whatever it takes to reach her goal. She therefore “marries the night”, an expression that has a profound meaning.
The video is Lady Gaga’s directorial debut and, according MTV.com it is basically a “big thank you” to Interscope Records – the record label that signed her. This is definitely true but the video also says thanks to those behind her record label: the “Night” that she married. Let’s look at the video’s most important scenes.
In the Psychiatric WardThe intro of the video shows Gaga as the patient of some kind of psychiatric ward. While laying on a stretcher that is pushed by two nurses, Gaga describes the way she perceives reality. Affected by a violent trauma, Gaga escapes into her own world to be able to go on. The mental dissociation that is described by Gaga is in direct accordance with the purpose of trauma-based mind control, the basis of Monarch Programming (see the article Origins and Techniques of Monarch Mind Control for more information). Monarch programming uses various methods, including violence, drugs and abuse to induce violent trauma and cause the victim to dissociate – a natural defense mechanism of the brain. The fracture of the personality that results from the process is then exploited by the mind-control handlers to program within the subject’s mind new “alter” personalities. This is also described in Marry the Night, as Gaga creates a new persona to obtain superstardom.
The process also causes the victims to have huge memory gaps when recollecting the past. In during the intro of the video, Gaga describes how a victim of Monarch programming would perceive reality:
“When I look back on my life, it’s not that I don’t want to see things exactly as they happen, it’s just that I prefer to remember them in an artistic way. And truthfully, the lie of it all is much more honest, because I invented it. Clinical psychology arguably tells us that trauma is the ultimate killer. Memories are not recycled like atoms and particles in quantum physics. They can be lost forever. It sort of like my past is an unfinished painting and, as the artist of that painting, I must fill in all the ugly holes and make it beautiful again. Its not that I’ve been dishonest, it’s just that I loathe reality.”Gaga basically says that she went through trauma that was so horrific that it caused her to dissociate from reality. Since she cannot cope with the true nature of her existence, her psyche has “filled in all the ugly holes” and created an inner-world where she can escape and survive mentally. This is exactly what happens with MK slaves, who, while dissociated into their fantasy world, get programmed by their handlers. Gaga then proceeds to describe how her dissociated mind perceives her surroundings.
In Gaga’s reality, the nurses are wearing “next season Calvin Klein” and she is wearing Giuseppe Zanotti shoes. Also, the nurses’ caps are tilted to the side like Parisian berets because she thinks “it’s romantic”. So what we are seeing is not reality, but Gaga’s perception of reality that has been distorted by trauma. Since she loves fashion, the fashion world is integrated in her mental escape to make reality bearable. The premise of this scene is very similar to the movie Sucker Punch (analyzed in the article entitled “Sucker Punch” or How to Make Monarch Mind Control Sexy), where a young patient of a psychiatric hospital dissociates from reality before getting a lobotomy.
Lobotomies also appear to be happening in Gaga’s ward. As she arrives in her room, we notice that it is filled with brain-dead girls with bandages around their heads. This hints that Gaga’s “institution” deals with mind control-related stuff.
On her bed, Gaga speaks with a nurse – who also happened to have delivered her when she was born. This is rather odd (for many reasons) but confirms that Gaga’s existence has been under tight control since her youth. Is this bit part “autobiographical” or fiction? Hard to say.
When Gaga turns around, her back reveals that something awful happened to her. The nurse tells her “No intimacy for two weeks”, which hints to the fact that the trauma might of been of a sexual origin. She nevertheless tells the nurse that “she’ll make it” and that “she’ll be a star” because she has “nothing left to lose”. In other words, the trauma she suffered left her lost and empty but that hole can be filled by her two obsessions: fame and success.
The MetamorphosisAfter the depressing hospital scene, Gaga is in her apartment when she gets a phone call from her manager announcing that she’s been dropped by her label. She replies “But I’m an artist!”, as if artistic integrity is the top priority of record labels. She then loses it and goes into a topless frenzy involving Cheerios and smudged makeup. The messy scene is juxtaposed with images of Gaga gracefully dancing ballet – as a “true artist”. The two scenes are diametrically opposed yet have noticeable similarities. The ballet scene ends with Gaga topless and crying, indicating that both scenes happen at the same time: One in real life and one in her head.
In the next scene, Gaga is in the the tub, accomplishing a significant task: Dying her hair blonde. Her new alter-persona is being created, the one that will become a pop star.
Once the transformation is complete, Gaga says goodbye to her ballet company (were they the ones that were lobotomized earlier?). The “true artist” is gone and the superficial diva is born. The camera stays on the art of the room for several seconds, probably due to its symbolic meaning. (the scene was shot at Snug Harbor Cultural Center in NY).
The camera then pans to the room’s oculus (a circular window at the apex of a dome) with a sun as the pupil of the “eye”. The oculus transitions into a full moon. As the scene turns from day to night, Stefani disappears and Lady Gaga emerges.
Marrying the NightMost music sites say that Marry the Night is about going out, partying and having fun in New York city. But, as it is often the case with Gaga’s works, the symbolism and the imagery of the video hints at a deeper, more ritualistic meaning. As we have seen above, Gaga is passionately fueled by her drive for success and she appears to realize that the key to make it in the industry is: Initiation. Or, in more sinister terms, selling one’s soul.
In the context of the video, the expression “marry the night“ takes an almost metaphysical connotation. Marriage is a religious ritual, a binding association between two people. What does it mean when one marries the night? It can mean associating with people who deal in the dark: the occult elite (those we call the Illuminati). It can also signify embracing one’s own flaws and “dark side”. In all cases, there is a definite sense of “rebirth” in the process. And, that’s what we see: A blond Lady Gaga (the alter of Stefani Germanotta) emerges from a Trans-Am dressed in black.
Gaga then goes to “Pop Star Training”. No more ballet, it’s all about doing cool, hip, music video choreography now.
Once her training is complete, Gaga is ready for the “big time”. She becomes a glamorous diva and dances what is almost a parody of MTV music videos.
We are then treated to a video montage of Gaga living the highs and lows of stardom, complete with gigantic hats, bathroom stall door slamming action and emotionally instability. However, all of this crap pays off: Gaga gets signed to record label.
The video ends with an odd and ominous scene:
Gaga’s live performance on X Factor also exploited the theme of headless-ness in a rather graphic way.
In ConclusionAlthough many describe Marry the Night as a “new direction” for Lady Gaga, the video still exploits her favorite theme: The price of fame. The intro of the video is basically a introductory course in trauma-based mind control, where she describes how dissociating allows her to cope with reality. As the artistic brunette turns into a blonde diva, the Lady Gaga alter-ego is created, one that will do what is required to make it in the music business. The most important requirement is “marrying the night”, which is a poetic way of saying “selling one’s soul” and associating with the dark side. Gaga had to deny everything she previously was to become a brand new person. Therefore, beneath the fashion and the dancing, the video hides an underlying ritualistic theme, as the death of a ballet dancer gives birth to an MTV pop star. From the broken girl who had nothing to lose to international superstar, it took a marriage with the dark side to turn things around. But at what cost? The final scene of the video, complete with hellish fire and a sacrificial red dress tells volumes.
In the grand scheme of things, despite her apparent originality, Gaga brings to the youth a message that is very similar to other pop stars: “Mind control is cool, everyone is doing it” and “Submit to the dark side and you’ll get what you want”. But when things get scary and the night becomes an abusive husband, asking for divorce won’t be an option. Ask Princess Diana.
Katy Perry’s “Wide Awake” : A Video About Monarch Mind Control
Katy Perry’s music video “Wide Awake” is another offering from the pop music industry that conceals references to Monarch programming within its symbolism. References to this practice occur often in mass media but are often coded using specific symbols and imagery. We’ll look at the hidden meaning of Katy Perry’s “Wide Awake”.
Many articles on this site described how many items of popular culture conceal within their symbolism references to an unknown, horrendous practice: Monarch programming. This technique of mind control seeks to create fully “programmable” individuals and is used by the shadowy elite in fields such as the military, politics and the murky underworld (for detailed information on Monarch programming, read the article Origins and Techniques of Monarch Mind Control). Another area in which mind control (especially Monarch programming) is used is the entertainment business – not only because some celebrities are actual victims of mind control, but because entertainment is used to subtly normalize and glamorize this awful practice through symbolism.
Katy Perry’s video Wide Awake is yet another music video that alludes to the concept of Monarch programming through its storyline and its imagery. While this might not be obvious to most people, those who have some knowledge of the subject of mind control find it extremely blatant.
In many ways, the video resembles works that have been previously analyzed on this site, such as the movies Labyrinth and Sucker Punch and music videos like Paramore’s Brick by Boring Brick. All of these productions visually represent the inner-world of Monarch slaves through a specific set of symbols: mirrors, butterflies (especially Monarch butterflies), mazes and so forth. Not only do these objects aptly portray psychological concepts, they are actual “trigger images” used in mind control on Monarch slaves. Wide Awake fully utilizes this set of symbols, which gives the storyline a deeper, and more disturbing, meaning.
Most mainstream media articles on Wide Awake say that it is about Katy Perry “navigating the maze of fame”. While this might be true, the video cannot be completely explained without considering the element of Monarch programming. For instance, why is Perry shown at sitting on a wheelchair, completely “out of it” inside a health institution? Probably because there is more to the video than meets the eye. Let’s look at the deeper meaning of its scenes.
Wide AwakeAt the beginning of the video, we see Katy completing the filming of her popular video California Gurls. She is wearing her now famous pink wig. She is fully into her “sexy pop star” persona.
When she enters her dressing room, Katy removes her wig, which symbolically represents her switching to another alter (this gesture was also an important part of Lady Gaga’s video Marry the Night). Katy then stares at herself in the mirror for a while – until she dissociates from reality (dissociation is an important part of mind control) and enters a fantasy world. This world is, in fact, the inner-world of Katy Perry’s psyche.
Katy soon realizes that her inner-world is a dark labyrinth that if full of traps and dangers. She doesn’t appear to know the way inside her own mind. She even gets caught in traps that were placed by her handlers.
Katy realizes that she won’t make it through the maze without an important element – one that has been stripped from her during the her programming: Her core persona. Through fireworks emerging from her breasts (of course), she calls for help and her core persona appears before her in the form of a young Katy.
Katy and her core persona then enter a room full that truly screams out “Monarch programming”.
Looking through the mirror, Katy sees nasty-looking paparazzi. While she is mesmerized by the sight, her core persona realizes that the world around Katy is shattering (inner-worlds of Monarch slaves are programmed by handlers and can be modified or destroyed at will). Desperate, Katy breaks the mirror in front of her and leaves the room, a symbolic act representing her attempting to break out of her programming.